Her stunning renditions of Fast Car and Across the Lines, a scalpel-sharp song about racial separation, made her a star and sent the album to the top of the charts around the world. Wonder decided he was unable to perform, so Chapman was asked to fill in at the last minute because she could come on quickly with just her guitar. Just as Stevie Wonder was about to begin a surprise set, he discovered that a hard disk containing his backing tracks had gone missing. Then she benefitted from a fortuitous twist of fate. The Cleveland-born singer-songwriter initially delivered a three-song set – consisting of Why?, Behind the Wall and Talkin' Bout a Revolution – in between comedy double act Fry and Laurie and Scottish band Wet Wet Wet. Chapman's LP had sold respectably since it came out that April, but the tribute concert at London's Wembley Stadium introduced her to a huge global audience watching on TV. Released as the lead single from her self-titled debut album, Chapman's Fast Car gained momentum when she performed it at Nelson Mandela's 70th birthday concert in June 1988. Combs has been lauded, too, with a Grammy nomination for best country solo performance. When it was named song of the year by the Country Music Association in November, Chapman became the first black woman ever to receive this prestigious songwriting prize. Led by a finger-picked guitar intro that instantly evokes memories of Chapman's original, Combs' faithful but fuller-sounding version climbed to number two on the Billboard Hot 100 in July. "I had a feeling I could be someone, be someone, be someone," Luke Combs sings yearningly on Fast Car, a song about escaping from poverty that was first made famous by its writer, Tracy Chapman, in 1988. – The 'anti-Christmas' song that's a festive classic ![]() ![]() However, one of 2023's defining tunes isn't a freshly minted hit by a Gen Z or millennial superstar, but a country cover of a 35-year-old folk anthem. Meanwhile, Morgan Wallen's liquor-soaked love song Last Night spent an astonishing 16 weeks on top of the Billboard Hot 100. This year's most ubiquitous hits include Miley Cyrus's Flowers, a disco-tinged ode to self-care, and SZA's Tarantino-inspired revenge anthem Kill Bill.
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